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By Angela Jones

This anthology is a symposium on queer house and queer utopias. during the presentation of empirical paintings via modern queer theorists this booklet goals to create a serious discussion concerning the emergence of queer areas and the ways that they target to additional queer futurity.

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3. The legacy of Bent was often reduced to the question of which group of Nazi victims endured worse treatment: homosexual or Jewish prisoners. I thank Jasmine Johnson for provoking me with this term, “oppression olympics,” during a discussion held when we were among the participants of the 2010 Summer Institute in Performance Studies at Northwestern University. 4. Rebecca L. Stein, “Explosive: Scenes from Israel’s Gay Occupation,” GLQ 16, no. 4 (2010), 518. 44 DAVID GORSHE IN 5. , 526. 6. Jill Dolan, “Performance, Utopia, and the ‘Utopian Performative,’” Theatre Journal 53, no.

3. The legacy of Bent was often reduced to the question of which group of Nazi victims endured worse treatment: homosexual or Jewish prisoners. I thank Jasmine Johnson for provoking me with this term, “oppression olympics,” during a discussion held when we were among the participants of the 2010 Summer Institute in Performance Studies at Northwestern University. 4. Rebecca L. Stein, “Explosive: Scenes from Israel’s Gay Occupation,” GLQ 16, no. 4 (2010), 518. 44 DAVID GORSHE IN 5. , 526. 6. Jill Dolan, “Performance, Utopia, and the ‘Utopian Performative,’” Theatre Journal 53, no.

36. Yael Feiler, “A Manifesto for an Israeli She Monster,” in Staging International Feminisms, ed. Elaine Aston and Sue-Ellen Case (London: Palgrave Macmillan, 2007), 205. 37. Hochberg, In Spite of Partition, 7. 38. Lee Edelman, No Future: Queer Theory and the Death Drive (Durham: Duke University Press, 2004), 11. 39. , 5. 40. Kuntsman, “The Soldier and the Terrorist,” 162. 41. Jonathan C. Friedman, Rainbow Jews: Jewish and Gay Identity in the Performing Arts (Lanham: Lexington, 2007), 177. 42.

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