By J. J. Marshall
After results has been demonstrated because the world's strongest and comparatively cheap answer for movement pix pros. the applying has revolutionized the printed undefined. facts of the revolution was once transparent whilst the mid-1990s printed a blinding array of visible artistry in advert campaigns and tv community promotions, the standard and the volume of which had by no means been seen.Version 5.0 was once a massive improve (3D, expressions, parenting, to call a couple of) and model 5.5 might infrequently be thought of a dot unencumber. really out of the ordinary software program, this construct of After results boasts numerous new gains in addition to significant improvements to its consumer interface. there are lots of new filters for concretizing any visible results that the brain can envision. also, After results 5.5 comprises superior 3D-compositing services, higher command over expressions with the Expression Controls results, in addition to local help for OSX, between a variety of different improvements.The After results Bible appears to be like into each point of the appliance. even if you are thoroughly new to movement pictures, or an skilled hand trying to find how one can get the main out of the new improve, there's important, time-saving info to be present in each one bankruptcy. There are step routines for every little thing from growing complicated keyframe animations to animating cameras in 3D area. even if it is learn from front-to-back or used as a laptop reference, the After results Bible belongs within the movement photograph designer's library.
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Extra info for After Effects 5 Bible
483 Using the Wave World effect . . . . . . . . . . . . 484 Chapter 16: Designing with Style . . . . . . . . . . . 487 Going for That Certain Look . . . . . . Using the Brush Strokes effect . . . . Using the Color Emboss effect . . . . Using the Emboss effect . . . . . . Using the Find Edges effect . . . . . Using the Leave Color effect . . . . Using the Mosaic effect . . . . . . Using the Motion Tile effect . . . . Using the Noise effect .
487 488 489 489 490 490 491 492 493 494 495 495 496 497 498 498 500 501 502 502 503 504 504 505 506 507 507 508 509 Chapter 17: Warping and Morphing Matter .
487 488 489 489 490 490 491 492 493 494 495 495 496 497 498 498 500 501 502 502 503 504 504 505 506 507 507 508 509 Chapter 17: Warping and Morphing Matter . . . . .